Being popular among the school kids and especially girls was his only motivation. I find it very unusual that Paul as a child felt burdened by creating an artwork, that he never liked his artworks that were and remain quite notorious for their aesthetic beauty and mature technique.
At 5 years of age he shocked his father who is an accomplished sculptor when his son had made a three dimensional composition in a drawing for kindergarten, when what is commonly expected from a child would be a stick figures drawing. Paul created a detailed realistic drawing of a human figure, animals, landscape and so on with perspective of which he knew nothing… He was not trained in any art school growing up as a “normal” kid.
Category Archives: visual language
You will Like What I See gif
He made his great breakthrough (the reduction of visual language) as early as at the age of 10.
This places him on the winning pedestal of the only known artist who from the very beginning of his artistic endeavors was already oriented not to accept what is known as visual language.
(Random Thoughts on Paul Jaisini… Random notes on Paul Jaisini.
Paul is not Marcel Duchamp, Yves Klein and all others.
There is a complex way to try to explain why, but there is also a less complex way. Not Duchamp, nor Yves Klein, etc came to the REDUCTION of visual means as early in Life as Paul Jaisini who started the GREAT REDUCTION as early in life as at the tender age of 10.
Clearly at such age there could be no such thing as artificiality or true sensitivity to what is called “the environmental trauma” with such a consequence to cause a young child- artist to refuse the LANGUAGE – visual or spoken.
At the age of 10 a child doesn’t know the philosophical depths of why any language could be deceiving.And yet at the age of 10 a child such as Paul Jaisini acts out straightforward without understanding or thinking about what he/she is doing.
This age factor is what significantly or completely opposes the artists such as Duchamp, Yves Klein who had arrived to the art reduction or destruction ideas at their mature age with long art career behind it.
Therefore to me any such attempt for reduction (on any scale from minor to major) of visual means is nothing but a self-serving attempt to reinvent own art. The only “true” “reductionist” among the existing visual artists was and remains Paul Jaisini.
He made his great breakthrough (the reduction of visual language) as early as at the age of 10.
This places him on the winning pedestal of the only known artist who from the very beginning of his artistic endeavors was already oriented not to accept what is known as visual language.)
Notebook Gif Redirecting Vision for 20 years
Random Thoughts on Paul Jaisini… Random notes on Paul Jaisini.
PJ IP is not Marcel Duchamp, Yves Klein and all others.
There is a complex way to try to explain why, but there is also a less complex way. Not Duchamp, nor Yves Klein, etc came to the REDUCTION of visual means as early in Life as Paul Jaisini who started the GREAT REDUCTION as early in life as at the tender age of 10.
Clearly at such age there could be no such thing as artificiality or true sensitivity to what is called “the environmental trauma” with such a consequence to cause a young child- artist to refuse the LANGUAGE – visual or spoken.
At the age of 10 a child does not know the philosophical depths of why any language could be deceiving.And yet at the age of 10 a child such as Paul Jaisini acts out straightforward without understanding or thinking about what he/she is doing.
This age factor is what significantly or completely opposes the artists such as Duchamp, Yves Klein who had arrived to the art reduction or destruction ideas at their mature age with long art career behind it.
Neon Eye Robot Gif Hologram
gif cubes, Vision Redirecting Paul Jaisini,
Paul Jaisini Invisible Paintings is not Marcel Duchamp, Yves Klein and all others.
There is a complex way to try to explain why, but there is also a less complex way. Not Duchamp, nor Yves Klein, etc came to the REDUCTION of visual means as early in Life as Paul Jaisini who started the GREAT REDUCTION as early in life as at the tender age of 10.
Clearly at such age there could be no such thing as artificiality or true sensitivity to what is called “the environmental trauma” with such a consequence to cause a young child- artist to refuse the LANGUAGE – visual or spoken.